OUTSIDER ABSTRACT JOURNAL
«МУСАРТ» №2
осень 2005
теория
Теодор
Адорно: Избранное: Социология
музыки - скачать >>>
Дмитрий Смирнов: Музыкальная идея
Ирина Ванечкина: Куда скачет «Синий Всадник»? Шенберг,
Кандинский, Скрябин: идея синтеза искусств
Синий всадник - Н. Кульбин: Сво6одная музыка
Синий всадник - Ф. фон Гартман: О6 анархии в музыке
Синий всадник – В. Кандинский: Желтый звук
Синий всадник – К.Д. Бальмонт: Светозвук
в Природе и Световая Симфония Скрябина
Наталья Шантырь: Симфонические заметки о
современной авангардной и поставангардной музыке - скачать
>>>
В.И. Мартынов: О красоте, плаче, богослужебном
пении и музыке
И.А. Гарднер: Церковное пение и церковная музыка
Православная энциклопедия: Церковное пение
Византийское влияние на Руси
Певческая культура Киевской, Новгородской и Владимиро-Суздальской
Руси (XI - 1-я пол. XV в.)
Певческая культура Московской Руси (2-я пол. XV - 1-я пол.
XVII в.)
Церковное пение в Западнорусской митрополии (2-я пол. XV-XVII
в.)
Новое время: от концерта барокко к классицизму (2-я пол.
XVII - 1-я пол. XVIII в.)
Церковное пение 2-й пол. XVIII-XX в. история
Ю.Н.Холопов: Новые парадигмы музыкальной эстетики ХХ века
Ю.Н.Холопов: Мусоргский как композитор ХХ века скачать >>>
Авангард в русской музыке
В. Чинаев: русские Давидсбюндлеры
Владимир Фейертаг: И только самба
Р. Берберов: В. Ребиков
Пьер Анри (Pierre Henry)
Вацлав Панек: Чеслав Немен (главы из книги)
Билли Боб Харгус: Подлинные крестные отцы
панка
Женские группы раннего периода
инструмент
Ларри
Хоффман: Блюзовая гармоника
Илья Ливенсон: История струнно-смычковых инструментов и их
развитие.
Век "исторического исполнительства" о
самом себе
Джон
Шнайдер: Гитара
ХХ века: второй золотой век.
наука и техника
Т.Б.
Романовская: Музыка, неслышимая музыка, неслышимое в музыке
и наука
И. Е. Орлов: Биения и их значение в новейшей музыке
Надежда Старовойтенко: Услышать музыку в цвете
Андрей Смирнов: Музыка и технология (Конспект курса лекций)
Александр Харьковский: Число — звук — пространство
Юрий Кружнов: Философия сохраненного звука. Заметки скептика
Виталий Кравченко: Долговечность
CD-R — миф
автора!
Арнольд
Шёнберг: Отношение к тексту
Асмус Титченс: Почему же все-таки шумовая музыка?
Асмус Титченс: Музыка и похоть
Асмус Титченс: Смертная тоска ритмиков
Асмус Титченс: Коммерческий провал как один из видов изящного
искусства
Литл Ричард: недооценили, недоплатили
Лидия Ланч: Парадоксия: дневник хищницы
Ли Андервуд: Tim Buckley - Dream Letter
Эккехард
Йост: Free Jazz - Исследования стилистики джаза шестидесятых (перевод
Ивана Саблина)
скачать>>>
интервью
Александр
Кнайфель: Произнести музыку
Джордж Авакян: почему Сатчмо выдержал испытание временем
Миша Менгельберг: Музыка меня не интересует
Рената Блюме: Бывшая жена Дина Рида дала слово не говорить
о нем ни слова
Mortiis: Правда о троллях
Chris Gill: Les Paul и Chet Atkins
Eric Burdon: Только дождитесь, и я покажу вам, что такое настоящий
рок-н-ролл!
зал славы им. Алистера Кроули
hats off!
Александр
Кан: Скрытый гений Роя Харпера
Жанна Симонова: Серж Гензбур. Гадкий и сладкий
Pauline Oliveros: Композиция - это замороженная
импровизация
монстры
Black Metal и BURZUM
Князья Хаоса; Кровавый восход норвежского блэка
скачать>>>
Интервью
с Варгом Викернесом (1996)
Интервью с Euronymous и Dead (1990)
Варг Викернес о цивилизации
shine on your crazy diamond
Отрывки из книги Николаса
Шэффнера “Блюдце, полное секретов
- Одиссея Pink Floyd”, посвященные Сиду Барретту
скачать>>>
скачать всю книгу>>>
Отрывки из книги Энди Маббетта “Полный
путеводитель по музыке Pink Floyd”, посвященные Барретту
Отрывки из книги Тима Уиллиса «Сумасброд»
жертвы
Александр
Кан: Тим Бакли - возвращение забытого гения
Мартин
Астон: Tim Buckley - The High Flyer
Стив Тернер: Тим Бакли: Говоря на своем особенном
языке...
Андрей
Носков: Сверхзвуковой
дрейф
Яна Станиславовна Дягилева
Алексей Плюснин: Воспоминания о Янке (интервью
для книги про Янку)
аутсайдеры
Sun
Ra - Незнакомец из космоса
К.Узник: Человек в зеркале. Путешествие капитана Бычье Сердце из
пустыни в пустыню
Иосиф Райскин: Духовный труженик (Галина Уствольская)
ложка дегтя
Битники: история болезни
Иеромонах Сергий: Охота на «ведьм»
протоиерей Владимир Бобров: Рок музыка на службе у сатаны
H.V. Fulpen: Джон Леннон: "Мы более популярны
чем Иисус"
Леся Орлова: Элвис Пресли как вкус истаявшего шоколада
Братец Яков: Музыка между словом и временем
record collector
статьи
Jazz Musician Pseudonyms
Muslim Names in Jazz
Тюрьмы пираты не боятся
Кое-что из жизни грампластинок – битловские раритеты
Limited edition
дискографии
лейблы
энциклопедия
#, A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T,
U, V, W, X, Y, Z
осень
2005
ТС АПозиция |
|
Bethlehem Records Catalog: 6000, 5000 series
6000 series (12 inch LP)
J.J. Johnson, Kai Winding (tb) Dick Katz (p) Wendell Marshall (b)
Al Harewood (d)
NYC, January 26, 1955
|
| Thou Swell
|
|
| Lope City
|
|
| It's All Right with Me
|
Milt Hinton (b) replaces Marshall
NYC, January 27, 1955
|
| Lover
|
|
| Stolen Bass
|
|
| Mad About the Boy
|
|
| Yes Sir, That's My Baby
|
|
| Going Rock
|
|
| Out of This World
|
|
| That's How I Feel About You
|
** reissue of Beth. BCP 13 (earlier).
Dick Healey (as, ts, fl, cl, picc, b) Erroll Buddle (ts, basn) Bryce
Rohde (p) Jack Brokensha (d, vib)
NYC, February 21, 1955
|
| A Foggy Day
|
|
| Little Girl Blue
|
|
| Loose Walk
|
|
| The Girl with the Flaxen Hair
|
|
| You Are Too Beautiful
|
|
| Lullaby of the Leaves
|
|
| The Things We Did Last Summer
|
|
| Fascinating Rhythm
|
Dick Healey (as, fl, cl, b) Erroll Buddle (ts, basn) Bryce Rohde
(p) John Fawcett, Jimmy Gannon (b) Nick Stabulas (d) Jack Brokensha
(d, vib)
NYC, January, 1956
|
| Broadway
|
|
| September Song
|
|
| Music for Walking
|
|
| Like Someone in Love
|
Dick Healey (fl) Erroll Buddle (basn) Jack Brokensha (vib) Bryce
Rohde (p) Jimmy Gannon (b) Nick Stabulas (d)
NYC, October, 1955
|
| Spring Is Here
|
|
| Autumn Leaves
|
|
| Thou Swell
|
|
| Nostalgia
|
|
| Playtypus
|
|
| Tune for Jaimey
|
|
| April in Paris
|
|
| These Foolish Things
|
|
| Saxophone Pads
|
|
| Have You Met Miss Jones
|
Jim Bright, Jimmy Nottingham, Red Solomon (tp) Vern Friley, Frank
Saracco, Ward Silloway, Kai Winding (tb) Sid Cooper, Milt Yaner (as)
Boomie Richman, Sam Taylor (ts) Dave McRae (bars) Dave Martin (p)
Sidney Block (b) Jimmy Crawford (d) Chris Connor (vo) Sy Oliver (arr,
cond)
NYC,
December 17 & 18, 1953
|
| Ask Me
|
|
| Blue Silhouette
|
|
| Chiquita from Chi-Wah-Wah
|
Ellis Larkins (p) Everett Barksdale (g) Beverly Peer (b) Chris Connor
(vo)
NYC,
August 9 & 11, 1954
|
| Lullaby of Birdland
|
|
| What Is There to Say?
|
|
| Try a Little Tenderness
|
|
| Spring Is Here
|
|
| Why Shouldn't I?
|
Ronnie Odrich (fl, cl) Don Burns (accor) Joe Cinderella (g) Vinnie
Burke (b) Art Mardigan (d) Chris Connor (vo)
NYC, August 21, 1954
|
| Cottage for Sale
|
|
| How Long Has This Been Going on?
|
|
| Stella by Starlight
|
|
| Gone with the Wind
|
|
| He's Coming Home
|
|
| Goodbye
|
Cat Anderson, Willie Cook, Clark Terry (tp) Ray Nance (tp, vln, vo)
Quentin Jackson, John Saunders, Britt Woodman (tb) Russell Procope
(cl, as) Jimmy Hamilton (cl, ts) Johnny Hodges (as) Paul Gonzalves
(ts) Harry Carney (bars) Duke Ellington (p) Jimmy Woode (b) Sam Woodyard
(d) Jimmy Grissom (vo -5)
Chicago,
IL, February 7 & 8, 1956
| 1.
| Summertime
|
| 2.
| Laura
|
| 3.
| I Can't Get Started
|
| 4.
| My Funny Valentine
|
| 5.
| Everything But You
|
| 6.
| Frustration
|
| 7.
| Cotton Tail
|
| 8.
| Day Dream
|
| 9.
| Deep Purple
|
| 10.
| Indian Summer
|
| 11.
| The
Blues, Pt. 1&2
|
Ronnie Odrich (fl, cl) Don Burns (accor) Joe Cinderella (g) Vinnie
Burke (b) Art Mardigan (d) Chris Connor (vo)
NYC, August 21, 1954
Herbie Mann (fl, ts) Mat Mathews (accor) Mundell Lowe (g) Wendell
Marshall (b) Kenny Clarke (d) Carmen McRae (vo)
NYC, October 6, 1954
|
| Easy to Love
|
|
| If I'm Lucky
|
|
| Tip Toe Gently
|
Tony Scott (p) Carmen McRae (vo)
NYC, December, 1954
J.J. Johnson, Kai Winding (tb -3) Herbie Mann (fl, ts) Ralph Sharon
(p) Joe Puma (g) Milt Hinton (b) Osie Johnson (d) Chris Connor (vo)
NYC, April, 1955
| 1.
| It's All Right with Me
|
| 2.
| All This and Heaven Too
|
| 3.
| The Thrill Is Gone
|
Buddy Collette (fl) Bobby Troup (p) Howard Roberts (g) Bob Enevoldsen
(b) Julie London (vo)
1955-1956
|
| A Foggy Day
|
|
| Don't Worry 'Bout Me
|
|
| Sometimes I Feel Like a Motherless Child
|
|
| You're Blase
|
Pat Moran (p, vo) John Doling (b, vo) Johnny Whited (d, vo) Bev Kelly
(vo)
Los Angeles, CA, May, 1956
|
| This Can't Be Love
|
|
| A Foggy Day
|
|
| What a Difference a Day Made
|
|
| Have You Met Miss Jones
|
|
| I Should Care
|
|
| Gone with the Wind
|
|
| Somebody Loves Me
|
|
| The Best Things in Life Are Free
|
|
| A Sunday Kind of Love
|
|
| Medley: Spring Is Here / It Might as Well Be Spring
|
|
| Two Sleepy People
|
|
| Pick Yourself Up
|
Sam Most (fl, cl) Bob Dorough (p) Bill Crow (b) Joe Morello (d)
NYC, July, 1956
|
| Stella by Starlight
|
|
| Hush-a-Bye
|
|
| Obvious Conclusion
|
|
| Autumn Leaves
|
|
| If I Had You
|
|
| Body and Soul
|
|
| House of Bread Blues
|
|
| Two for Three
|
Joe Cabot, Al DeRisi, Bernie Glow, Frank LoPinto (tp) Urbie Green,
Frank Rehak, Chauncey Welsch (tb) Romeo Penque, Gerry Sanfino, Frank
Socolow, Joe Soldo (reeds) Sanford Gold (p) Sal Salvador (g) Milt
Hinton (b) Sol Gubin (d) Ramon Santamaria (cga) William Correa (bgo)
Sallie Blair (vo) Richard Wess (arr, cond)
NYC, March, 1957
|
| Squeeze Me
|
|
| What Is This Thing Called Love?
|
|
| Come by Sunday
|
|
| Similau
|
Richard Wess (p, cel, arr, cond) Sal Salvador (g) Milt Hinton (b)
Sol Gubin (d) Sallie Blair (vo)
same location, date
|
| Almost Like Being in Love
|
|
| You Make Me Feel So Young
|
|
| Ain't She Sweet
|
add Urbie Green (tb) Romeo Penque, Gerry Sanfino (reeds) strings
same location, date
|
| Better Luck Next Time
|
|
| The More I See You
|
|
| How Long Has This Been Going on?
|
|
| Then I'll Be Tired of You
|
Stu Williamson (tp) Marty Paich (cel, arr, cond) Bill Pitman (g)
Joe Mondragon (b) Irv Cottler (d) Audrey Morris (vo) Bethlehem Strings
Los Angeles, CA, July, 1956
|
| What More Can a Woman Do?
|
|
| If Love Were All
|
|
| Blue Turning Grey Over You
|
|
| If You Could See Me Now
|
|
| I Go for That
|
|
| I Wonder What Became of Me
|
|
| You Irritate Me So
|
|
| My Old Flame
|
Alvin Stoller (d) replaces Cottler
same location, date
|
| I Never Mention Your Name
|
|
| It's Always You
|
|
| How 'Dja Like to Love Me
|
|
| Glad to Be Unhappy
|
Pete Candoli, Buddy Childers, Maynard Ferguson, Shorty Rogers (tp)
Stu Williamson (tp, vtb) Tommy Pederson, Frank Rosolino (tb) Don
Kelly (btb) Vince DeRosa (frh) Albert Pollan (tu) Ronnie Lang (fl,
bars) Charlie Mariano (as) Richie Kamuca (ts) Bill Holman (bass sax)
Marty Paich (p) Buddy Clark (b) Stan Levey (d) Lou Singer (per) Johnny
Richards (arr, cond)
Los Angeles, CA, August, 1956
|
| For All We Know
|
|
| Dimples
|
|
| Band Aid
|
|
| Turn About
|
|
| Burrito Borracho
|
|
| Long Ago and Far Away
|
|
| Aijalon
|
Milt Bernhart (tb) John Cave (frh) replaces Rogers, Kelly, DeRosa
same location, date
** also
issued on Discovery DS 895 entitled "Aijalon".
Dick Healey (as, fl) Erroll Buddle (ts, basn) Jack Brokensha (vib)
Bryce Rohde (p) Jimmy Gannon (b) Frank Capp (d)
Los Angeles, CA, July, 1956
|
| Alone Together
|
|
| Koala
|
|
| That Old Feeling
|
|
| Affair D'Amour
|
|
| The Lady Is a Tramp
|
|
| Lover Man
|
|
| The Thrill Is Gone
|
|
| New South Wail
|
|
| Few Get It
|
|
| So Nice
|
|
| The Varsity Drag
|
|
| It Might as Well Be Spring
|
Pete Candoli, Don Fagerquist (tp) Bob Enevoldsen (vtb, ts) Vince
DeRosa (frh) Albert Pollan (tu) Herb Geller (as) Jack Montrose (ts)
Jack Dulong (bars) Max Bennett (b) Alvin Stoller (d) Mel Torme (vo)
Marty Paich (ldr, arr)
Los Angeles, CA, November, 1956
|
| Nice Work If You Can Get It
|
|
| Something's Gotta Give
|
|
| A Foggy Day
|
|
| A Fine Romance
|
|
| Let's Call the Whole Thing Off
|
|
| Top Hat White Tie and Tails
|
|
| The Way You Look Tonight
|
|
| The Piccolino
|
|
| They Can't Take That Away from Me
|
|
| Cheek to Cheek
|
|
| Let's Face the Music and Dance
|
|
| They All Laughed
|
Howard McGhee, Ernie Royal (tp) Frank Rehak (tb) Tony Ortega (as)
Lucky Thompson (ts) Jerome Richardson (ts, fl) Danny Bank (bars)
Hank Jones (p) Milt Hinton (b) Osie Johnson (d) Johnny Hartman (vo)
Ernie Wilkins (arr, cond)
NYC, November, 1956
|
| Blue Skies
|
|
| Birth of the Blues
|
|
| I Get a Kick Out of You
|
|
| All of Me
|
Johnny Hartman (vo) Frank Hunter (cond) The Bethlehem Orchestra
NYC, 1956
|
| I Could Make You Care
|
|
| Tenderly
|
|
| The Lamp Is Low
|
|
| While We're Young
|
|
| I'll Follow You
|
|
| I Concentrate on You
|
|
| Stella by Starlight
|
|
| The End of a Love Affair
|
Dick Healey (as, fl) Erroll Buddle (ts, basn) Jack Brokensha (vib)
Bryce Rohde (p) Jack Lander (b) Osie Johnson (d)
NYC, March, 1957
|
| Jazz in D Minor Suite, Pt. 1
|
|
| Jazz in D Minor Suite, Pt. 2
|
|
| Jazz in D Minor Suite, Pt. 3
|
|
| Cubano Chant
|
|
| In a Sentimental Mood
|
|
| Star Eyes
|
|
| I'll Be Around
|
|
| You'd Be So Nice to Come Home to
|
Mel Torme (vo) Marty Paich (dir) The Bethlehem Orchestra, chorus
Los Angeles, CA, March 7, 1957
Don Fagerquist, Maynard Ferguson, Jimmy Salko (tp) Milt Bernhart,
Herbie Harper, Frank Rosolino, Lloyd Ulyate (tb) Howard Roberts (g)
Max Bennett (b) Mel Lewis (d) Frances Faye (vo) Russ Garcia (arr,
cond) strings
Los Angeles, CA, February, March, 1957
|
| Frankie and Johnny
|
|
| Greensleeves
|
|
| Skip to My Lou
|
|
| Lonesome Road
|
|
| Medley: Nobody Knows the Trouble I've Seen / Deep River /
Goin' Home
|
|
| Johnny Has Gone for a Soldier
|
|
| St. James Infirmary
|
|
| Go 'Way Down from My Window
|
|
| The Three Ravens
|
|
| Clementine
|
|
| Medley: Oif'n Pripitchik / Too-Ra-Loo-Ra-Loo-Ral / Come Back
to Sorrento
|
|
| John Henry
|
Burt Collins (tp) Earl Swope (tb) Sam Most (fl) Dick Meldonian, Tony
Ortega (as) Pat Moran (p, vo) Oscar Pettiford (b) John Doling (b,
vo) Johnny Whited (d, vo) Bev Kelly (vo) Nat Pierce (cond)
NYC, March, April, 1957
|
| Thou Swell
|
|
| Have You Met Miss Jones
|
|
| Lover Man
|
|
| Jor-du
|
|
| It Never Entered My Mind
|
|
| Come Rain or Come Shine
|
|
| I'll Be Around
|
|
| Just Squeeze Me
|
|
| I Can't Get Started
|
|
| Lullaby of the Leaves
|
|
| I'll Remember April
|
|
| Mother Macree
|
Clarence Shaw (tp) Jimmy Knepper (tb) Curtis Porter (as, ts) Bill
Evans (p) Charles Mingus (b) Dannie Richmond (d)
Cincinnati, OH, August 6, 1957
| 6466
| 51st Street Blues, Pt. 1
|
| 6467
| 51st Street Blues, Pt. 2
|
| 6468
| East Coasting
|
| 6469
| Memories of You
|
| 6470
| West Coast Ghost
|
| 6471
| Conversation
|
| 6472
| Celia
|
Don Fagerquist (tp) Larry Bunker (vib, accor, vib, cga, bgo) Marty
Paich (p -1/5,7,9/12) Max Bennett (b) Mel Lewis (d) Mel Torme (vo)
"Crescendo Club",
Los Angeles, CA, February 22, 1957
| 1.
| It's Only a Paper Moon
|
| 2.
| What Is This Thing Called Love?
|
| 3.
| One for My Baby
|
| 4.
| Love Is Just a Bug
|
| 5.
| A Nightingale Sang in Berkeley Square
|
| 6.
| Autumn Leaves
|
| 7.
| Just One of Those Things
|
| 8.
| The Boy Next Door
|
| 9.
| Lover Come Back to Me
|
| 10.
| Looking at You
|
| 11.
| The Tender Trap
|
| 12.
| I'm Beginning to See the Light
|
Paul Quinichette, Charlie Rouse (ts) Wynton Kelly (p) Wendell Marshall
(b) Ed Thigpen (d)
NYC, August 29, 1957
|
| The Chase Is on
|
|
| This Can't Be Love
|
|
| Last Time Out for Love
|
|
| Knittin'
|
|
| The Tender Trap
|
|
| The Things I Love
|
Hank Jones (p) Freddie Green (g) replaces Kelly
NYC, September 8, 1957
|
| When
the Blues Comes on, Pt. 1&2
|
|
| You're Cheating Yourself
|
Dick Healey (as, fl) Erroll Buddle (ts, basn) Jack Brokensha (vib)
Bryce Rohde (p) Ed Gaston (b) Frank Capp, Osie Johnson, Jerry Segal
(d)
Los
Angeles, CA & NYC, September, October-December,
1957
|
| Surrey with the Fringe on Top
|
|
| March of the Siamese Children
|
|
| Hello, Young Lovers
|
|
| I Have Dreamed
|
|
| People Will Say We're in Love
|
|
| Gentleman Is a Dope
|
|
| Do I Love You
|
|
| Younger Than Springtime
|
|
| Wonderful Guy
|
|
| If I Loved You
|
Bill Hardman (tp) Johnny Griffin (ts) Sam Dockery (p) Spanky DeBrest
(b) Art Blakey (d)
NYC, October 9, 1957
Junior Mance (p) replaces Dockery
NYC, October 11, 1957
|
| For Minors Only
|
| 6442
| Right Down Front
|
|
| Sweet Sakeena
|
|
| For Miles and Miles
|
|
| Krafty
|
| 6443
| Late Spring
|
Art Farmer (tp) Rolf Kuhn (cl) Eddie Costa (vib, p) Kenny Burrell
(g) Oscar Pettiford (b) Ed Thigpen (d)
NYC, September, 1957
|
| Lazy Afternoon
|
|
| Sea Breeze
|
|
| She Didn't Say Yes
|
|
| At Home with the Blues
|
Donald Byrd (tp) Frank Rehak (tb) Gene Quill (as -1,4) John Coltrane
(ts) Al Cohn (bars) Eddie Costa (p) Freddie Green (g -1) Oscar Pettiford
(b) Philly Joe Jones (d -1) Ed Thigpen (d -2/4)
NYC, October, 1957
| 1.
| Not So Sleepy
|
| 2.
| Love and the Weather
|
| 3.
| Turtle Walk
|
| 4.
| If I'm Lucky
|
Milt Bernhart (tb) Herb Geller, Francis Howard (as) Gene Cipriano
(ts) John Towner Williams (p, arr) large band
Los Angeles, CA, 1957-1958
|
| Let's Fall in Love
|
|
| Over the Rainbow
|
|
| My Shining Hour
|
|
| Here's What I'm Here for
|
|
| Come Rain or Come Shine
|
|
| That Old Black Magic
|
|
| Between the Devil and the Deep Blue Sea
|
|
| Hit the Road to Dreamland
|
|
| Stormy Weather
|
|
| I've Got the World on a String
|
|
| A Sleepin' Bee
|
|
| Get Happy
|
** also
issued on Discovery DS 891 entitled "Here's What I'm
Here for".
Clarence Shaw (tp) Jimmy Knepper (tb) Curtis Porter (as, ts) Bob
Hammer (p) Horace Parlan (p, left hand) Charles Mingus (b) Dannie
Richmond (d) Melvin Stewart (nar)
NYC, October, 1957
omit Stewart
same location, date
omit Hammer
same location, date
Bill Hardman (tp) replaces Shaw
same location, date
Donald Byrd, Ray Copeland, Bill Hardman, Idrees Sulieman (tp) Jimmy
Cleveland, Melba Liston, Frank Rehak (tb) Bill Graham, Sahib Shihab
(as) Al Cohn, John Coltrane (ts) Bill Slapin (bars) Walter Bishop
Jr. (p) Wendell Marshall (b) Art Blakey (d)
NYC, December, 1957
|
| Midriff
|
|
| The Kiss of No Return
|
|
| The Outer World
|
|
| El Toro Valiente
|
|
| Ain't Life Grand
|
|
| Last Date
|
Donald Byrd (tp) John Coltrane (ts) Walter Bishop Jr. (p) Wendell
Marshall (b) Art Blakey (d)
same location, date
Nina
Simone (p, vo) Jimmy Bond (b) Albert "Tootie" Heath
(d) NYC, 1957
|
| Mood Indigo
|
|
| Don't Smoke in Bed
|
|
| He Needs Me
|
|
| Little Girl Blue
|
|
| Love Me or Leave Me
|
|
| My Baby Just Cares for Me
|
|
| Good Bait
|
|
| Plain Gold Ring
|
|
| You'll Never Walk Alone
|
|
| I Loves You, Porgy
|
|
| Central Park Blues
|
Dick Healey (as, fl) Erroll Buddle (ts, bars, cl) Jack Brokensha
(vib) Bryce Rohde (p) Ed Gaston (b) Osie Johnson, Jerry Segal (d)
NYC, July, 1958
|
| Swingin' Goatsherd Blues
|
|
| Bewitched
|
|
| Taking a Chance on Love
|
|
| The Way You Look Tonight
|
|
| I'll Remember April
|
|
| Detour Ahead
|
|
| Too Marvelous for Words
|
|
| Take Three Parts Jazz: Route 4 / Lyriste / Father George
|
Dick Healey (as, fl) Erroll Buddle (ts, bars, cl) Jack Brokensha
(vib) Bryce Rohde (p) unknown (b) unknown (d)
NYC, 1958
|
| Army Song
|
|
| Love Song
|
|
| Barbara's Song
|
|
| Tango Ballad
|
|
| Polly's Song
|
|
| Jealous Song
|
|
| Finale
|
Teddy Charles (vib, arr) replaces Brokensha
same location, date
|
| Mack the Knife
|
|
| Solomon's Song
|
Don Fagerquist (tp) Larry Bunker (vib, accor, vib, cga, bgo) Marty
Paich (p) Max Bennett (b) Mel Lewis (d) Mel Torme (vo)
"Crescendo Club",
Los Angeles, CA, February 22, 1957
|
| It's All Right with Me
|
|
| Manhattan
|
|
| Here I Go Again
|
|
| Home by the Sea
|
|
| Delovely
|
|
| Tenderly
|
|
| I Wish I Were in Love Again
|
|
| Autumn Leaves
|
|
| Nobody's Heart
|
Howard McGhee (tp) Ralph Sharon (p) Max Bennett (b) Stan Levey (d)
Mel Torme (vo) Pat Moran and her Quartet (chorus)
Los Angeles, CA, 1957
Art Farmer (tp) Bob Brookmeyer (vtb, p) Zoot Sims (ts) Teddy Charles
(vib) Addison Farmer (b) Ed Thigpen (d)
NYC, late 1958
|
| Air Mail Special
|
|
| Midnight Sun
|
|
| Stardust
|
|
| Flying Home
|
Teddy Charles (vib) Addison Farmer (b) Ed Thigpen (d)
same location, date
Teddy Charles (vib) Hank Jones (p) Addison Farmer (b) Charlie Smith
(d)
same location, date
|
| On the Sunny Side of the Street
|
|
| Stompin' at the Savoy
|
|
| Moon Glow
|
|
| Blue Hamp
|
Frank Minion (vo) et al.
NYC, September 7, 1958
| K8981
| Night and Day
|
| K8982
| Take
the "A" Train
|
| K8983
| A Night in Tunisia
|
| K8984
| Lady Bird
|
| K8985
| But Not for Me
|
| K8986
| Doodlin'
|
| K8987
| Holy Mackerel
|
| K8988
| You I Love
|
| K8989
| Watermelon
|
| K8990
| Who Stole the Mambo
|
| K8991
| I've Done My Share
|
Charlie Shavers (tp) Bennie Moten (tb) Hank D'Amico (cl) Kenny Kersey
(p) Aaron Bell (b) Panama Francis (d) Al Collins (nar)
NYC,
October 25 & 27, 1954
Ruby Braff (tp) Johnny Guarnieri (p) Walter Page (b) Bobby Donaldson
(d)
NYC, October, 1954
|
| You're a Sweetheart
|
|
| This Can't Be Love
|
Joe Wilder (tp) Pete Brown (as) Wade Legge (p) Wally Richardson (g)
Gene Ramey (b) Rudy Collins (d)
NYC, November 16, 1954
Conte Candoli (tp) Claude Williamson (p) Max Bennett (b) Stan Levey
(d)
Los Angeles, CA, November 20, 1954
|
| They Can't Take That Away from Me
|
|
| Everything Happens to Me
|
Thad Jones (tp) John LaPorta (cl, as) Teo Macero (ts, bars) Jackson
Wiley (cello) Charles Mingus (b, p) Clem DeRosa (d, tamb)
NYC, December, 1954
Jonah Jones (tp) Urbie Green (tb) George Clarke (ts) Kenny Kersey
(p) Milt Hinton (b) Osie Johnson (d)
same location, date
|
| You're the Cream in My Coffee
|
|
| Stars Fell on Alabama
|
Howard McGhee (tp) Sahib Shihab (as, bars -2) Duke Jordan (p) Percy
Heath (b) Philly Joe Jones (d)
NYC, October 22, 1955
| 1.
| Lover Man
|
| 2.
| Lullaby of the Leaves
|
Conte Candoli (tp) Zoot Sims (ts) Jimmy Giuffre (bars) Claude Williamson
(p) Max Bennett (b) Stan Levey (d)
Los Angeles, CA, December 6, 1954
Hal McKusick (cl, as) Barry Galbraith (g) Milt Hinton (b) Osie Johnson
(d)
NYC, February 17, 1955
|
| You Don't Know What Love Is
|
Thad Jones, Bill Scott (tp) Henry Coker (tb) Ernie Wilkins (as) Frank
Wess (ts, fl) Charlie Fowlkes (bars) Wendell Marshall (b) Osie Johnson
(d)
NYC, February, 1955
Charlie Mariano (as, ts) John Williams (p) Max Bennett (b) Mel Lewis
(d)
NYC, June, 1955
Conte Candoli (tp) Bill Holman (ts) Lou Levy (p) Leroy Vinnegar (b)
Lawrence Marable (d)
Los Angeles, CA, July 26, 1955
Ruby Braff (tp) Bud Freeman (ts) Kenny Kersey (p) Al Hall (b) George
Wettling (d)
NYC, July, 1955
Dexter Gordon (ts) Kenny Drew (p) Leroy Vinnegar (b) Lawrence Marable
(d)
Hollywood, CA, September 18, 1955
Cat Anderson, Willie Cook, Clark Terry (tp) Ray Nance (tp, vln, vo)
Quentin Jackson, John Saunders, Britt Woodman (tb) Russell Procope
(cl, as) Jimmy Hamilton (cl, ts) Johnny Hodges (as) Paul Gonzalves
(ts) Harry Carney (bars) Duke Ellington (p) Jimmy Woode (b) Sam Woodyard
(d)
Chicago,
IL, February 7 & 8, 1956
|
| Laura
|
|
| Frustration
|
|
| Day Dream
|
Paul Quinichette, Charlie Rouse (ts) Wynton Kelly (p) Wendell Marshall
(b) Ed Thigpen (d)
NYC, August 29, 1957
Donald Byrd (tp) Frank Rehak (tb) Gene Quill (as) John Coltrane (ts)
Al Cohn (bars) Eddie Costa (p) Oscar Pettiford (b) Ed Thigpen (d)
NYC, October, 1957
Doug Mettome (tp) Urbie Green (tb) Danny Bank (fl, cl, bars) Ike
Horowitz (ts, bcl, fl) Jimmy Lyon (p) Oscar Pettiford (b) Jimmy Campbell
(d)
NYC, January 12, 1955
Herbie Harper (tb) Paul Saramento (tu) Charlie Mariano (as) Jimmy
Giuffre (ts, bars) Corky Hale (harp) Jimmie Rowles (p) Harry Babasin
(b) Irv Cottler (d)
Los Angeles, CA, January 25, 1955
|
| How Deep Is the Ocean?
|
|
| Now You Know
|
J.J. Johnson, Kai Winding (tb) Dick Katz (p) Milt Hinton (b) Al Harewood
(d)
NYC, January 27, 1955
Maynard Ferguson, Herbie Harper, Tommy Pederson, Frank Rosolino (tb)
Dick Houlgate (bars) Marty Paich (p) Red Mitchell (b) Stan Levey
(d) Russ Garcia (arr, cond)
Los Angeles, CA, November 14, 1955
Carl Fontana (tb) Dave McKenna (p) Max Bennett (b) Mel Lewis (d)
NYC, December 14, 1955
|
| Polaka Dots and Moonbeams
|
|
| |