OUTSIDER ABSTRACT JOURNAL
«МУСАРТ» №2
осень 2005
теория
Теодор
Адорно: Избранное: Социология
музыки - скачать >>>
Дмитрий Смирнов: Музыкальная идея
Ирина Ванечкина: Куда скачет «Синий Всадник»? Шенберг,
Кандинский, Скрябин: идея синтеза искусств
Синий всадник - Н. Кульбин: Сво6одная музыка
Синий всадник - Ф. фон Гартман: О6 анархии в музыке
Синий всадник – В. Кандинский: Желтый звук
Синий всадник – К.Д. Бальмонт: Светозвук
в Природе и Световая Симфония Скрябина
Наталья Шантырь: Симфонические заметки о
современной авангардной и поставангардной музыке - скачать
>>>
В.И. Мартынов: О красоте, плаче, богослужебном
пении и музыке
И.А. Гарднер: Церковное пение и церковная музыка
Православная энциклопедия: Церковное пение
Византийское влияние на Руси
Певческая культура Киевской, Новгородской и Владимиро-Суздальской
Руси (XI - 1-я пол. XV в.)
Певческая культура Московской Руси (2-я пол. XV - 1-я пол.
XVII в.)
Церковное пение в Западнорусской митрополии (2-я пол. XV-XVII
в.)
Новое время: от концерта барокко к классицизму (2-я пол.
XVII - 1-я пол. XVIII в.)
Церковное пение 2-й пол. XVIII-XX в. история
Ю.Н.Холопов: Новые парадигмы музыкальной эстетики ХХ века
Ю.Н.Холопов: Мусоргский как композитор ХХ века скачать >>>
Авангард в русской музыке
В. Чинаев: русские Давидсбюндлеры
Владимир Фейертаг: И только самба
Р. Берберов: В. Ребиков
Пьер Анри (Pierre Henry)
Вацлав Панек: Чеслав Немен (главы из книги)
Билли Боб Харгус: Подлинные крестные отцы
панка
Женские группы раннего периода
инструмент
Ларри
Хоффман: Блюзовая гармоника
Илья Ливенсон: История струнно-смычковых инструментов и их
развитие.
Век "исторического исполнительства" о
самом себе
Джон
Шнайдер: Гитара
ХХ века: второй золотой век.
наука и техника
Т.Б.
Романовская: Музыка, неслышимая музыка, неслышимое в музыке
и наука
И. Е. Орлов: Биения и их значение в новейшей музыке
Надежда Старовойтенко: Услышать музыку в цвете
Андрей Смирнов: Музыка и технология (Конспект курса лекций)
Александр Харьковский: Число — звук — пространство
Юрий Кружнов: Философия сохраненного звука. Заметки скептика
Виталий Кравченко: Долговечность
CD-R — миф
автора!
Арнольд
Шёнберг: Отношение к тексту
Асмус Титченс: Почему же все-таки шумовая музыка?
Асмус Титченс: Музыка и похоть
Асмус Титченс: Смертная тоска ритмиков
Асмус Титченс: Коммерческий провал как один из видов изящного
искусства
Литл Ричард: недооценили, недоплатили
Лидия Ланч: Парадоксия: дневник хищницы
Ли Андервуд: Tim Buckley - Dream Letter
Эккехард
Йост: Free Jazz - Исследования стилистики джаза шестидесятых (перевод
Ивана Саблина)
скачать>>>
интервью
Александр
Кнайфель: Произнести музыку
Джордж Авакян: почему Сатчмо выдержал испытание временем
Миша Менгельберг: Музыка меня не интересует
Рената Блюме: Бывшая жена Дина Рида дала слово не говорить
о нем ни слова
Mortiis: Правда о троллях
Chris Gill: Les Paul и Chet Atkins
Eric Burdon: Только дождитесь, и я покажу вам, что такое настоящий
рок-н-ролл!
зал славы им. Алистера Кроули
hats off!
Александр
Кан: Скрытый гений Роя Харпера
Жанна Симонова: Серж Гензбур. Гадкий и сладкий
Pauline Oliveros: Композиция - это замороженная
импровизация
монстры
Black Metal и BURZUM
Князья Хаоса; Кровавый восход норвежского блэка
скачать>>>
Интервью
с Варгом Викернесом (1996)
Интервью с Euronymous и Dead (1990)
Варг Викернес о цивилизации
shine on your crazy diamond
Отрывки из книги Николаса
Шэффнера “Блюдце, полное секретов
- Одиссея Pink Floyd”, посвященные Сиду Барретту
скачать>>>
скачать всю книгу>>>
Отрывки из книги Энди Маббетта “Полный
путеводитель по музыке Pink Floyd”, посвященные Барретту
Отрывки из книги Тима Уиллиса «Сумасброд»
жертвы
Александр
Кан: Тим Бакли - возвращение забытого гения
Мартин
Астон: Tim Buckley - The High Flyer
Стив Тернер: Тим Бакли: Говоря на своем особенном
языке...
Андрей
Носков: Сверхзвуковой
дрейф
Яна Станиславовна Дягилева
Алексей Плюснин: Воспоминания о Янке (интервью
для книги про Янку)
аутсайдеры
Sun
Ra - Незнакомец из космоса
К.Узник: Человек в зеркале. Путешествие капитана Бычье Сердце из
пустыни в пустыню
Иосиф Райскин: Духовный труженик (Галина Уствольская)
ложка дегтя
Битники: история болезни
Иеромонах Сергий: Охота на «ведьм»
протоиерей Владимир Бобров: Рок музыка на службе у сатаны
H.V. Fulpen: Джон Леннон: "Мы более популярны
чем Иисус"
Леся Орлова: Элвис Пресли как вкус истаявшего шоколада
Братец Яков: Музыка между словом и временем
record collector
статьи
Jazz Musician Pseudonyms
Muslim Names in Jazz
Тюрьмы пираты не боятся
Кое-что из жизни грампластинок – битловские раритеты
Limited edition
дискографии
лейблы
энциклопедия
#, A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T,
U, V, W, X, Y, Z
осень
2005
ТС АПозиция |
|
Bethlehem Records Catalog: Deluxe series
Deluxe series (12 inch LP)
Bobby Scott (p) Whitey Mitchell (b) Bill Bradley (d)
NYC, September 21, 1954
|
| Pee Wee
|
|
| Phil's Mood
|
|
| Moonbeaux
|
|
| Tenderly
|
|
| Ode to Monk
|
|
| Polka Dots and Moonbeams
|
|
| Lullaby of Birdland
|
|
| Gone with the Wind
|
Don Fagerquist (tp) Terry Pollard (p) Howard Roberts (g) Herman Wright
(b) Frank DeVito (d)
Los Angeles, CA, January 10, 1955
|
| Feddi
|
|
| Laura
|
|
| Where or When
|
|
| Autumn Serenade
|
|
| The More I See You
|
|
| Scrapple from the Apple
|
|
| Almost Like Being in Love
|
|
| Emaline
|
Clark Terry, Joe Wilder (tp) Jimmy Cleveland (tb) Jimmy Hamilton
(cl, ts) Dave Schildkraut (as) Danny Bank (bars) Earl Knight (p)
Oscar Pettiford (b, cello) Osie Johnson (d)
NYC, December 17, 1954
|
| Jack the Bear
|
|
| Tamalpais
|
|
| Chuckles
|
|
| Mood Indigo
|
|
| Time on My Hands
|
|
| Swing 'Til the Girls Come Home
|
Conte Candoli (tp -1/4) Bob Brookmeyer (vtb -1/4) Zoot Sims (ts -1/4)
Claude Williamson (p) Red Mitchell (b) Stan Levey (d)
Los Angeles, CA, February 1, 1955
| 1.
| Happy Minor
|
| 2.
| Scrapple from the Apple
|
| 3.
| Long Ago and Far Away
|
| 4.
| Gone with the Wind
|
| 5.
| Kelly Green
|
| 6.
| Bluesology
|
Eddie Shu (tp, cl, as, ts) Bobby Scott (p) Vinnie Burke (b) Roy Haynes
(d)
NYC, November 26, 1954
|
| It's Sand Man
|
|
| Don't Blame Me
|
|
| Day by Day
|
|
| Tom Dick and Jim
|
|
| Blues for Baby
|
|
| On East Side
|
|
| Peace
|
|
| Justice
|
Bob Hardaway (ts) Larry Bunker (vib) Marty Paich (p) Max Bennett
(b) Art Mardigan (d)
Los Angeles, CA, January 21, 1955
|
| Junior
|
|
| Lou's Blue
|
|
| Spring Is Here
|
|
| Irresistible You
|
Bob Hardaway (ts) Marty Paich (p) Joe Mondragon (b) Larry Bunker
(d)
Los Angeles, CA, January 22, 1955
|
| I Cover the Waterfront
|
|
| Indiana
|
|
| Out of Nowhere
|
Joe Wilder (tp) Pete Brown (as) Wade Legge (p) Wally Richardson (g)
Gene Ramey (b) Rudy Collins (d)
NYC, November 16, 1954
|
| Moonlight in Vermont
|
|
| The World Is Waiting for the Sunrise
|
|
| There Will Never Be Another You
|
|
| I Can't Believe That You're in Love with Me
|
|
| Used Blues
|
|
| Tea for Two
|
|
| Delta Blues
|
Jonah
Jones (tp) Vic Dickenson (tb) Edmond Hall (cl) Kenny Kersey (p) George "Pops" Foster
(b) Osie Johnson (d) NYC, December 9, 1954
|
| Beale Street Blues
|
|
| Down by the Riverside
|
|
| European Blues
|
Jonah Jones (tp) Urbie Green (tb) George Clarke (ts) Kenny Kersey
(p) Milt Hinton (b) Osie Johnson (d)
NYC, December, 1954
|
| You're the Cream in My Coffee
|
|
| Wrap Your Troubles in Dreams
|
|
| J.J. Special
|
|
| Stars Fell on Alabama
|
Ruby Braff (tp) Johnny Guarnieri (p) Walter Page (b) Bobby Donaldson
(d)
NYC, October, 1954
|
| Struttin' with Some Barbecue
|
|
| Mean to Me
|
|
| Ellie
|
|
| Blue and Sentimental
|
Ruby Braff (tp) Ed Hubble (tb) Sam Margolis (ts) Dick Katz (p) Gene
Ramey (b) Izzy Skylar (d)
NYC, December 31, 1954, January 1, 1955
|
| Auld Lang Style
|
|
| I'm Gonna Sit Right Down and Write Myself a Letter
|
|
| Rosetta
|
|
| Sometimes I'm Happy
|
Ruby Braff (tp) Al Klink, Hymie Shertzer (as) Boomie Richman, Bob
Wilber (ts) Sol Schlinger (bars) Ellis Larkins (p) Mundell Lowe,
Art Ryerson (g) Walter Page (b) Bobby Donaldson (d)
NYC,
March 17 & 18, 1955
|
| When You're Smiling
|
|
| Flowers for a Lady
|
|
| I'll Be Around
|
Julius Watkins (frh) Charlie Rouse (ts) Duke Jordan (p) Oscar Pettiford
(b) Ron Jefferson (d)
NYC, late 1954
|
| Sextette
|
|
| Edge of Love
|
|
| Cable Car
|
|
| Tractisisms
|
|
| Oscar Rides Again
|
|
| The Golden Touch
|
Ronnie Odrich (fl, cl -1,3/8) Don Burns (accor -1,3/8) Barry Galbraith
(g -1,3/8) Joe Cinderella (g -2) Vinnie Burke (b)
NYC, 1954
| 1.
| Time Out
|
| 2.
| Softly, As in a Morning Sunrise
|
| 3.
| For All We Know
|
| 4.
| Honeysuckle Rose
|
| 5.
| Imagination
|
| 6.
| On the Alamo
|
| 7.
| The Continental
|
| 8.
| Yesterdays
|
Hank D'Amico (cl) Bill Triglia (p) Milt Hinton (b) Charlie Smith
(d)
NYC,
October 5 & 8, 1954
|
| Hank's Holiday
|
|
| Billy's Bubble
|
|
| Tomorrow
|
|
| Gone
|
|
| Grasshopper
|
|
| Bernie's Tune
|
|
| Hank's Dilemma
|
|
| The Nearness of You
|
Urbie Green (tb) Aaron Sachs (cl, ts) Danny Bank (bars) Barry Galbraith
(g) Clyde Lombardi (b) Osie Johnson (d)
NYC, 1954
|
| One Track
|
|
| King Fish
|
|
| Helen
|
|
| Conversation
|
|
| If You Are But a Dream
|
|
| The Bullfrog
|
Ronnie Woellner (tp) Eddie Bert (tb) Hal McKusick (as) Al Epstein
(bars) Bobby Scott (p) Milt Hinton (b) Osie Johnson (d)
NYC, November, 1954
|
| Dot
|
|
| Moon Tan
|
|
| Betty
|
|
| Aunt Sarah
|
|
| Cerebellum
|
Conte Candoli (tp -1/3,5,7) Frank Rosolino (tb -1/3,5,7) Charlie
Mariano (as -1/3,5,7) Bill Holman (ts -1/3,5,7) Jimmy Giuffre (bars
-1/3,5,7) Bobby Scott (p) Max Bennett (b -1/3,5,7) Stan Levey (d
-1/3,5,7)
Los Angeles, CA, January 23, 1955
| 1.
| Wigwam
|
| 2.
| The Creed
|
| 3.
| Table Cloth Stomp
|
| 4.
| A Parable
|
| 5.
| The Wig
|
| 6.
| Count Bill
|
| 7.
| Kwan-Youen
|
Conte Candoli (tp) Claude Williamson (p) Max Bennett (b) Stan Levey
(d)
Los Angeles, CA, November 20, 1954
|
| Fine and Dandy
|
|
| Night Flight
|
|
| I Can't Get Started
|
|
| On the Alamo
|
|
| Tune for Tex
|
|
| They Can't Take That Away from Me
|
|
| Everything Happens to Me
|
|
| I'll Remember April
|
add Zoot Sims (ts) Jimmy Giuffre (bars)
Los Angeles, CA, December 6, 1954
|
| Exaktamo
|
|
| Extraversion
|
|
| Drum Sticks
|
|
| Lightnin' Bug
|
|
| West Coasting
|
|
| Fast Clip
|
Tony Scott (cl, bcl) Dick Katz (p) Milt Hinton (b) Osie Johnson (d)
NYC, January 20, 1955
|
| Mean to Me
|
|
| Pick 'n' Pat
|
|
| Over the Rainbow
|
|
| Milt to the Hilt
|
|
| Don't Blame Me
|
|
| Katz Meow
|
|
| Upstairs with Milt
|
|
| Ebony Silhouette
|
|
| Cantus Firmus
|
|
| These Foolish Things
|
Warren Fitzgerald (tp -1,3/5,7,10) Jack Hitchcock (vib -1,4,6,7,11,12)
Bob Dorough (p, vo) Bill Takus (b) Jerry Segal (d)
NYC, October, 1956
| 1.
| Old Devil Moon
|
| 2.
| It Could Happen to You
|
| 3.
| I Had the Craziest Dream
|
| 4.
| You're the Dangerous Type
|
| 5.
| Ow!
|
| 6.
| Polka Dots and Moonbeams
|
| 7.
| Yardbird Suite
|
| 8.
| Baltimore Oriole
|
| 9.
| I Don't Mind
|
| 10.
| Devil May Care
|
| 11.
| Midnight Sun
|
| 12.
| Johnny One Note
|
Howard Rich (tp) Don Elliott (tp, mello, vib, vo) Billy Byers (tb)
Hal McKusick (fl, as) Al Cohn (ts) Danny Bank (bars) Barry Galbraith
(g) Milt Hinton (b) Mel Zelnick (d)
NYC, January 19, February 22, 1955
|
| Spring Is Here
|
|
| Mellophone Mambo
|
|
| S'posin'
|
|
| Summer Setting
|
|
| With the Wind and the Rain in Your Hair
|
|
| Almost Like Being in Love
|
|
| The Lamp Is Low
|
|
| My Reverie
|
|
| Deep Purple
|
|
| Fascinating Rhythm
|
J.R. Monterose (ts) Eddie Costa (vib) Ralph Sharon (p, vo) Joe Puma
(g) Milt Hinton (b) Jo Jones (d) Sue Ryan (vo -7/11)
NYC, November, 1956
| 1.
| It Don't Mean a Thing
|
| 2.
| A Fine Romance
|
| 3.
| I Could Have Told You
|
| 4.
| Mynah Lament
|
| 5.
| Just You, Just Me
|
| 6.
| That Goldblatt Magic
|
| 7.
| A Nightingale Can Sing the Blues
|
| 8.
| Hugette Waltz
|
| 9.
| A Trout No Doubt
|
| 10.
| With the Wind and the Rain in Your Hair
|
| 11.
| Nothing at All
|
Doug Mettome (tp) Urbie Green (tb) Danny Bank (fl, cl, bars) Ike
Horowitz (ts, bcl, fl) Jimmy Lyon (p) Oscar Pettiford (b) Jimmy Campbell
(d)
NYC, January 12, 1955
|
| On Green Dolphin Street
|
|
| How About You?
|
|
| Sassafras
|
Osie Johnson (d) replaces Campbell
NYC, January 19, 1955
|
| Mutation
|
|
| Just One of Those Things
|
|
| When Your Lover Has Gone
|
|
| Three Little Words
|
|
| Sneaky Pete
|
|
| Melody in B Flat
|
|
| Love Locked Out
|
Howard Rich (tp) Don Elliott (tp, mello, vib, vo) Billy Byers (tb)
Hal McKusick (fl, as) Al Cohn (ts) Danny Bank (bars) Barry Galbraith
(g) Milt Hinton (b) Mel Zelnick (d)
NYC, January 19, February 22, 1955
|
| You're Driving Me Crazy
|
|
| Let's Fall in Love
|
|
| Speak Low
|
|
| Looking for a Boy
|
|
| I Hadn't Anyone Till You
|
|
| Ev'ry Time (I Fall in Love)
|
|
| Polka Dots and Moonbeams
|
|
| Oh, Baby It Scares Me
|
|
| Ev'ry Time
|
|
| Whatever Happened to You?
|
Hal McKusick (cl, as) Barry Galbraith (g) Milt Hinton (b) Osie Johnson
(d)
NYC, February 17, 1955
|
| Taylor Made
|
|
| You Don't Know What Love Is
|
|
| They Can't Take That Away from Me
|
|
| Lullaby for Leslie
|
|
| Minor Matters
|
|
| Blue-Who
|
|
| By-Ian
|
|
| What's New?
|
|
| Interwoven
|
|
| Give 'em Hal
|
Joe Roland (vib) Freddie Redd (p) Dick Garcia (g) Danny Martucci
(b) Ron Jefferson (d)
NYC,
March 17 & 18, 1955
|
| Easy Living
|
|
| Stairway to the Steinway
|
|
| Soft Winds
|
|
| Teach Me Tonight
|
|
| Robin
|
|
| Sweet Lorraine
|
|
| Goodbye Bird
|
|
| After You've Gone
|
|
| Anticipation
|
|
| I Cover the Waterfront
|
|
| The Moon Got in My Eyes
|
|
| Street of Dreams
|
Sam Most (fl, cl) Marty Flax (bars) Bill Triglia (p) Barry Galbraith
(g) Burgher Jones (b) Bobby Donaldson (d)
NYC, March 29, 1955
|
| Cherokee
|
|
| Don't Worry 'Bout Me
|
|
| What a Diff'rence a Day Made
|
|
| How Deep Is the Ocean?
|
|
| Tea for Two
|
Oscar Pettiford (b) Osie Johnson (d) replaces Jones, Donaldson
NYC, March-April, 1955
|
| Falling in Love with Love
|
|
| Rose Room
|
|
| Smiles
|
|
| Broadway
|
|
| 'Deed I Do
|
Bob Enevoldsen (vtb -2,7,12) Bobby Troup (p, vo) Howard Roberts (g)
Red Mitchell (b) Don Heath (d)
Los Angeles, CA, January 28, 1955
| 1.
| Jamboree Jones
|
| 2.
| Midnight Sun
|
| 3.
| Come Rain or Come Shine
|
| 4.
| Laura
|
| 5.
| That Old Black Magic
|
| 6.
| One for My Baby
|
| 7.
| Chckoo in the Clock
|
| 8.
| Day in, Day Out
|
| 9.
| Jeepers Creepers
|
| 10.
| Lazy Mood
|
| 11.
| Skylark
|
| 12.
| I'm with You
|
J.J. Johnson, Kai Winding (tb -7/10) Herbie Mann (fl, ts) Ralph Sharon
(p) Joe Puma (g) Milt Hinton (b) Osie Johnson (d) Chris Connor (vo)
NYC, April, 1955
| 1.
| Blame It on My Youth
|
| 2.
| It's All Right with Me
|
| 3.
| Trouble Is a Man
|
| 4.
| All This and Heaven Too
|
| 5.
| All Dressed Up with a Broken Heart
|
| 6.
| Ridin' High
|
| 7.
| Someone to Watch Over Me
|
| 8.
| The Thrill Is Gone
|
| 9.
| I Concentrate on You
|
| 10.
| From This Moment on
|
Charlie
Shavers (tp -3/6) Henry "Red" Allen (tp, vo -1,2,5,6)
Herb Fleming (tb -1,2,5) Frank Rehak (tb -3/5) Buster Bailey (cl
-1,2,5) Eddie Barefield (cl, as -3/5) Claude Hopkins (p -1,2,5) Kenny
Kersey (p -3/5) Benny Moten (b -1,2,5) Milt Hinton (b -3/5) Cozy
Cole (d -1,2,6) Panama Francis (d -3/5) unknown (d -5) Al Collins
(nar -6) Metropole Cafe, NYC, May, 1955
| 1.
| Buddy Bolden Said
|
| 2.
| Kiss the Baby
|
| 3.
| Cotton Tail
|
| 4.
| Jazz at the Metropole
|
| 5.
| When the Saints Go Marching in
|
| 6.
| Trumpet Conversation
|
Betty Glamann (harp) Nick Perito (accor) Barry Galbraith (g) Rufus
Smith (b) Frank Garisto (d)
NYC, 1955
|
| Poinciana
|
|
| Liza
|
|
| Laura
|
|
| Harp Capers
|
|
| Lotus Land
|
|
| Now Get Out
|
|
| The Boy Next Door
|
|
| Stompin' at the Savoy
|
|
| September Song
|
|
| Ragtime Mambo
|
|
| That's All
|
|
| Pulling Strings
|
Maynard Ferguson, Herbie Harper, Tommy Pederson, Frank Rosolino (tb)
Jerry Wiggins (p) Al Hendrickson (g) Red Mitchell (b) Chico Hamilton
(d) Frances Faye (vo) Russ Garcia (arr, cond)
Los Angeles, CA, 1955
|
| Toreador
|
|
| They Can't Take That Away from Me
|
|
| He's Funny That Way
|
|
| I've Got You Under My Skin
|
|
| All of a Sudden My Heart Sings
|
|
| Somebody Loves Me
|
|
| September in the Rain
|
|
| These Foolish Things
|
|
| Love for Sale
|
|
| Medley: Little Girl Blue / Where or When / Embraceable You
/ Exactly Like You / I Don't Know Why / My Funny Valentine
/ Bewitched
|
|
| Out of This World
|
Herbie Mann (fl, ts) Joe Puma (g) Charles Andrus (b) Harold Granowsky
(d)
NYC, June, 1955
|
| I Told Every Little Star
|
|
| Love Is a Simple Thing
|
|
| There's No You
|
|
| Sorri-Mao
|
|
| The Influential Mr. Cohn
|
|
| A One Way Love
|
|
| The Surrey with the Fringe on Top
|
|
| Flamingo
|
|
| Little Orphan Annie
|
|
| Jasmine
|
|
| Beverly
|
|
| Woodchuck
|
Charlie Mariano (as, ts) John Williams (p) Max Bennett (b) Mel Lewis
(d)
same location, date
|
| Johnny One Note
|
|
| The Very Thought of You
|
|
| Smoke Gets in Your Eyes
|
|
| King for a Day
|
|
| Darn That Dream
|
|
| Floormat
|
|
| Traditional Blues
|
|
| I Heard You Cried Last Night
|
Frank Rosolino (tb) Sonny Clark (p) Wilfred Middlebrooks (b) Stan
Levey (d)
Los Angeles, CA, May, 1956
|
| I May Be Wrong
|
|
| The Things We Did Last Summer
|
|
| Frieda
|
|
| Doxy
|
|
| My Delux
|
|
| Flamingo
|
Charlie Shavers (tp) Sy Oliver (arr, cond) large studio orchestra
NYC, June, 1955
|
| I've Got a Crush on You
|
|
| Someone to Watch Over Me
|
|
| Somebody Loves Me
|
|
| The Man I Love
|
|
| It Ain't Necessarily So
|
|
| Liza
|
|
| Embraceable You
|
|
| I've Got Rhythm
|
|
| Summertime
|
|
| But Not for Me
|
Johnny Glasel (tp) Sonny Truitt (tb) Bob Wilber (cl, ss) Bob Hammer
(p) Bill Britto (b) Eddie Phyfe (d)
NYC, July, 1955
|
| Tasty
|
|
| As Far as We're Concerned
|
|
| Shifty
|
|
| Serenata
|
|
| Pink Ice
|
|
| Strange Diet
|
|
| Old Folks
|
|
| Itchy Fingers
|
|
| Two Kinds of Blues
|
Ruby Braff (tp) Bud Freeman (ts) Kenny Kersey (p -1/5) Dave Bowman
(p -6/11) Al Hall (b) George Wettling (d)
same location, date
| 1.
| Newport-News
|
| 2.
| At Sundown
|
| 3.
| Exactly Like You
|
| 4.
| Let's Do It
|
| 5.
| But Not for Me
|
| 6.
| Stop, Look and Listen
|
| 7.
| Hanid
|
| 8.
| Dave's Blues
|
| 9.
| I Remember You
|
| 10.
| Perdido
|
| 11.
| You Took Advantage of Me
|
Conte Candoli (tp) Bill Holman (ts) Lou Levy (p) Leroy Vinnegar (b)
Lawrence Marable (d)
Los Angeles, CA, July 26, 1955
|
| Toots Sweet
|
|
| Jazz City Blues
|
|
| My Old Flame
|
|
| Full Count
|
|
| I'm Getting Sentimental Over You
|
|
| Four
|
|
| Groovin' Higher
|
Stu Williamson (tp) Charlie Mariano (as) Claude Williamson (p) Max
Bennett (b) Stan Levey (d)
Los Angeles, CA, January 18, 1955
|
| Slugger
|
|
| There Will Never Be Another You
|
|
| Sunday
|
|
| Sapphire
|
|
| Don't Get Around Much Anymore
|
Stu Williamson (tp) Charlie Mariano (as -1,2,4) Claude Williamson
(p) Leroy Vinnegar (b) Mel Lewis (d)
Los Angeles, CA, January 20, 1955
| 1.
| The Lady Is a Tramp
|
| 2.
| Yardbird Suite
|
| 3.
| The Things We Did Last Summer
|
| 4.
| Stu's Dues Blues
|
Fred Greenleaf (tp) Jack Teagarden (tb, vo) Kenny Davern (cl) Norma
Teagarden (p) Kass Malone (b) Ray Bauduc (d)
NYC, November 12, 1954
|
| King Porter Stomp
|
|
| Misery and the Blues
|
|
| Riverboat Scuffle
|
|
| Milenberg Joys
|
Dick Cary (tp) Jack Teagarden (tb, vo) Edmond Hall (cl) Leonard Feather
(p) Carl Kress (g) Walter Page (b) Ray Bauduc (d)
NYC, November, 1954
|
| Davenport Blues
|
|
| Music to Love by
|
|
| Meet Me When They Play the Blues
|
Jimmy McPartland (tp) Jack Teagarden (tb, vo) Edmond Hall (cl) Dick
Cary (p) Walter Page (b) Jo Jones (d)
same location, date
|
| Eccentric
|
|
| Original Dixieland One-Step
|
|
| Bad Action Woman
|
|
| High Society
|
Donald Byrd, Ernie Royal (tp -1/8) Bob Brookmeyer (vtb -1/8) Gigi
Gryce (as, cl -1/8) Jerome Richardson (ts, cl, fl -1/8) Don Abney
(p) Oscar Pettiford (b, cello -1/8, b -9) Osie Johnson (d -1/8)
NYC, August 12, 1955
| 1.
| Another One
|
| 2.
| Minor 7th Heaven
|
| 3.
| Scorpio
|
| 4.
| Kamman's A'comin'
|
| 5.
| Don't Squawk
|
| 6.
| Oscalypso
|
| 7.
| Titoro
|
| 8.
| Bohemia After Dark
|
| 9.
| Stardust
|
Frank Beach (tp) 1 french horn (frh) 2 flutes (fl) 1 bass clarinet
(bcl) 1 harp (harp) Al Hendrickson (g) Mel Torme (vo) Al Pellegrini
(cond) rhythm, strings
NYC, August 28-30, 1955
|
| I Got It Bad and That Ain't Good
|
|
| Till the Clouds Roll by
|
|
| Isn't It Romantic
|
|
| I Know Why
|
|
| All This and Heaven Too
|
|
| How Long Has This Been Going on?
|
|
| Polka Dots and Moonbeams
|
|
| You Leave Me Breathless
|
|
| I Found a Million Dollar Baby
|
|
| Wonderful One
|
|
| It's a Blue World
|
|
| Stay as Sweet as You Are
|
Bobby Troup (p, vo) Howard Roberts (g) Bob Enevoldsen (b) Don Heath
(d)
Los Angeles, CA, August, 1955
|
| Mountain Greenery
|
|
| I Still Suits Me
|
|
| Little Girl Blue
|
|
| Manhattan
|
|
| You Are Too Beautiful
|
|
| They Can't Take That Away from Me
|
|
| I've Got My Love to Keep Me Warm
|
|
| Gypsy in My Soul
|
|
| The Boy Next Door
|
|
| Love Is Here to Stay
|
|
| Have You Met Miss Jones
|
|
| The Lady Is a Tramp
|
Dexter Gordon (ts) Kenny Drew (p) Leroy Vinnegar (b) Lawrence Marable
(d)
Hollywood, CA, September 18, 1955
|
| Daddy Plays the Horn
|
|
| Confirmation,
Pt. 1&2
|
|
| Darn That Dream
|
|
| Number Four
|
|
| Autumn
in New York, Pt. 1&2
|
|
| You Can Depend on Me
|
Conte Candoli (tp) Frank Rosolino (tb) Dexter Gordon (ts) Lou Levy
(p) Leroy Vinnegar (b) Stan Levey (d)
Los
Angeles, CA, September 27 & 28, 1955
|
| Diggin' for Diz
|
|
| Ruby, My Dear
|
|
| Tune Up
|
|
| La Chaloupee
|
|
| Day in, Day Out
|
|
| Stanley the Steamer
|
|
| This Time the Dream's on Me
|
Conte Candoli (tp -5/9) Joe Maini (as, ts -5/9) Hampton Hawes (p)
Red Mitchell (b) Chuck Thompson (d)
Los Angeles, CA, September 27, 1955
| 1.
| Where or When
|
| 2.
| Section Blues
|
| 3.
| Duf | |