OUTSIDER ABSTRACT JOURNAL
«МУСАРТ» №2
осень 2005
теория
Теодор
Адорно: Избранное: Социология
музыки - скачать >>>
Дмитрий Смирнов: Музыкальная идея
Ирина Ванечкина: Куда скачет «Синий Всадник»? Шенберг,
Кандинский, Скрябин: идея синтеза искусств
Синий всадник - Н. Кульбин: Сво6одная музыка
Синий всадник - Ф. фон Гартман: О6 анархии в музыке
Синий всадник – В. Кандинский: Желтый звук
Синий всадник – К.Д. Бальмонт: Светозвук
в Природе и Световая Симфония Скрябина
Наталья Шантырь: Симфонические заметки о
современной авангардной и поставангардной музыке - скачать
>>>
В.И. Мартынов: О красоте, плаче, богослужебном
пении и музыке
И.А. Гарднер: Церковное пение и церковная музыка
Православная энциклопедия: Церковное пение
Византийское влияние на Руси
Певческая культура Киевской, Новгородской и Владимиро-Суздальской
Руси (XI - 1-я пол. XV в.)
Певческая культура Московской Руси (2-я пол. XV - 1-я пол.
XVII в.)
Церковное пение в Западнорусской митрополии (2-я пол. XV-XVII
в.)
Новое время: от концерта барокко к классицизму (2-я пол.
XVII - 1-я пол. XVIII в.)
Церковное пение 2-й пол. XVIII-XX в. история
Ю.Н.Холопов: Новые парадигмы музыкальной эстетики ХХ века
Ю.Н.Холопов: Мусоргский как композитор ХХ века скачать >>>
Авангард в русской музыке
В. Чинаев: русские Давидсбюндлеры
Владимир Фейертаг: И только самба
Р. Берберов: В. Ребиков
Пьер Анри (Pierre Henry)
Вацлав Панек: Чеслав Немен (главы из книги)
Билли Боб Харгус: Подлинные крестные отцы
панка
Женские группы раннего периода
инструмент
Ларри
Хоффман: Блюзовая гармоника
Илья Ливенсон: История струнно-смычковых инструментов и их
развитие.
Век "исторического исполнительства" о
самом себе
Джон
Шнайдер: Гитара
ХХ века: второй золотой век.
наука и техника
Т.Б.
Романовская: Музыка, неслышимая музыка, неслышимое в музыке
и наука
И. Е. Орлов: Биения и их значение в новейшей музыке
Надежда Старовойтенко: Услышать музыку в цвете
Андрей Смирнов: Музыка и технология (Конспект курса лекций)
Александр Харьковский: Число — звук — пространство
Юрий Кружнов: Философия сохраненного звука. Заметки скептика
Виталий Кравченко: Долговечность
CD-R — миф
автора!
Арнольд
Шёнберг: Отношение к тексту
Асмус Титченс: Почему же все-таки шумовая музыка?
Асмус Титченс: Музыка и похоть
Асмус Титченс: Смертная тоска ритмиков
Асмус Титченс: Коммерческий провал как один из видов изящного
искусства
Литл Ричард: недооценили, недоплатили
Лидия Ланч: Парадоксия: дневник хищницы
Ли Андервуд: Tim Buckley - Dream Letter
интервью
Александр
Кнайфель: Произнести музыку
Джордж Авакян: почему Сатчмо выдержал испытание временем
Миша Менгельберг: Музыка меня не интересует
Рената Блюме: Бывшая жена Дина Рида дала слово не говорить
о нем ни слова
Mortiis: Правда о троллях
Chris Gill: Les Paul и Chet Atkins
Eric Burdon: Только дождитесь, и я покажу вам, что такое настоящий
рок-н-ролл!
зал славы им. Алистера Кроули
hats off!
Александр
Кан: Скрытый гений Роя Харпера
Жанна Симонова: Серж Гензбур. Гадкий и сладкий
Pauline Oliveros: Композиция - это замороженная
импровизация
монстры
Black Metal и BURZUM
Князья Хаоса; Кровавый восход норвежского блэка
скачать>>>
Интервью
с Варгом Викернесом (1996)
Интервью с Euronymous и Dead (1990)
Варг Викернес о цивилизации
shine on your crazy diamond
Отрывки из книги Николаса
Шэффнера “Блюдце, полное секретов
- Одиссея Pink Floyd”, посвященные Сиду Барретту
скачать>>>
скачать всю книгу>>>
Отрывки из книги Энди Маббетта “Полный
путеводитель по музыке Pink Floyd”, посвященные Барретту
Отрывки из книги Тима Уиллиса «Сумасброд»
жертвы
Александр
Кан: Тим Бакли - возвращение забытого гения
Мартин
Астон: Tim Buckley - The High Flyer
Стив Тернер: Тим Бакли: Говоря на своем особенном
языке...
Андрей
Носков: Сверхзвуковой
дрейф
Яна Станиславовна Дягилева
Алексей Плюснин: Воспоминания о Янке (интервью
для книги про Янку)
аутсайдеры
Sun
Ra - Незнакомец из космоса
К.Узник: Человек в зеркале. Путешествие капитана Бычье Сердце из
пустыни в пустыню
Иосиф Райскин: Духовный труженик (Галина Уствольская)
ложка дегтя
Битники: история болезни
Иеромонах Сергий: Охота на «ведьм»
протоиерей Владимир Бобров: Рок музыка на службе у сатаны
H.V. Fulpen: Джон Леннон: "Мы более популярны
чем Иисус"
Леся Орлова: Элвис Пресли как вкус истаявшего шоколада
Братец Яков: Музыка между словом и временем
record collector
статьи
Jazz Musician Pseudonyms
Muslim Names in Jazz
Тюрьмы пираты не боятся
Кое-что из жизни грампластинок – битловские раритеты
Limited edition
дискографии
лейблы
энциклопедия
#, A, B, C, D, E, F, G, H, I, J, K, L, M, N, O, P, R, S, T,
U, V, W, X, Y, Z
осень
2005
ТС АПозиция |
|
Riverside Records Catalog: Stereo 1100 series
Stereo 1100 series (12 inch LP)
stereo sounds
unknown location, date
Ray Copeland (tp -1/5) Gigi Gryce (as -1/5) Coleman Hawkins (ts)
John Coltrane (ts -1/5) Thelonious Monk (p -1,3/6) Wilbur Ware (b
-1,3/6) Art Blakey (d -1,3/6)
Reeves Sound Studios, NYC, June 26, 1957
| 1.
| Off Minor (take 5)
|
| 2.
| Abide with Me
|
| 3.
| Crepuscule with Nellie (take 6)
|
| 4.
| Epistrophy
|
| 5.
| Well, You Needn't
|
| 6.
| Ruby, My Dear
|
** reissue of Riv. RLP 12 242.
Donald Byrd (tp -1/4) Pepper Adams (bars) Bobby Timmons (p) Doug
Watkins (b) Elvin Jones (d)
"Five Spot Cafe", NYC, April 15, 1958
| 1.
| 'Tis (theme)
|
| 2.
| The Long Two/Four
|
| 3.
| Hastings Street Bounce
|
| 4.
| Yourna
|
| 5.
| You're My Thrill
|
** reissue of Riv. RLP 12 265.
Kenny Dorham (tp) Sonny Rollins (ts) Hank Jones (p) Oscar Pettiford
(b) Max Roach (d)
NYC, May 21, 1957
|
| But Beautiful
|
|
| I'll Remember April
|
|
| Falling in Love with Love
|
|
| La Villa
|
Kenny Dorham (tp) Sonny Rollins (ts -1) Betty Glamann (harp) Hank
Jones (p) Oscar Pettiford (b) Max Roach (d)
NYC, May 27, 1957
| 1.
| My Old Flame
|
| 2.
| La Rue
|
** reissue of Riv. RLP 12 239.
Gerry Mulligan (bars) Thelonious Monk (p) Wilbur Ware (b) Shadow
Wilson (d)
NYC, August 12, 1957
|
| Rhythm-a-Ning
|
|
| Straight, No Chaser
|
|
| I Mean You
|
same personnel
NYC, August 13, 1957
|
| 'Round About Midnight
|
|
| Sweet and Lovely
|
|
| Decidedly
|
** reissue of Riv. RLP 12 247.
Kenny Dorham (tp -1/8) Sonny Rollins (ts -1/8) Wynton Kelly (p -1/6,8,
b -7) Paul Chambers (b -1/6,8) Max Roach (d -1/8) Abbey Lincoln (vo)
NYC, October 28, 1957
| 1.
| Strong Man
|
| 2.
| Happiness Is Just a Thing Called Joe
|
| 3.
| My Man
|
| 4.
| That's Him
|
| 5.
| I Must Have That Man
|
| 6.
| Porgy
|
| 7.
| Don't Explain
|
| 8.
| When a Woman Loves a Man
|
| 9.
| Tender as a Rose
|
** reissue of Riv. RLP 12 251.
Clark Terry (tp) Quentin Jackson (tb) Johnny Hodges (as) Luther Henderson
(cel -2) Billy Strayhorn (p) Jimmy Woode (b) Sam Woodyard (d) Marian
Bruce (vo -2)
NYC, July 29, 1957
| 1.
| Come Sunday
|
| 2.
| In a Sentimental Mood
|
Clark Terry (tp) Britt Woodman (tb) Johnny Hodges (as -1/3) Paul
Gonsalves (ts) Tyree Glenn (vib) Billy Strayhorn (p -1/3) Jimmy Woode
(b) Sam Woodyard (d)
NYC, September 6, 1957
| 1.
| Just Squeeze Me
|
| 2.
| C Jam Blues
|
| 3.
| Mood Indigo
|
| 4.
| Cottontail
|
| 5.
| Take
the "A" Train
|
| 6.
| In a Mellow Tone
|
** reissue of Riv. RLP 12 246.
Carl Halen (cor) Turk Santos (cor, g -3,8,12) Harry Budd (tb) Frank
Chace (cl, bars) Bob Skiver (ts, cl) Tut Soper (p) Marty Grosz (g,
vo) Chuck Neilson (b) Pepper Boggs (d)
Yellow Springs, OH, December, 1957
| 1.
| The Love Nest
|
| 2.
| Clementine (From New Orleans)
|
| 3.
| Oh, Miss Hannah
|
| 4.
| Lonely Melody
|
| 5.
| I'm Gonna Meet My Sweetie Now
|
| 6.
| Wa-Da-Da
|
| 7.
| For No Reason at All in C
|
| 8.
| Because My Baby Don't Mean Maybe Now
|
| 9.
| Changes
|
| 10.
| Cryin' All Day
|
| 11.
| Sorry
|
| 12.
| My Pet
|
** reissue of Riv. RLP 12 268.
Donald Byrd (tp) Gigi Gryce (as) Wade Legge (p) Wendell Marshall
(b) Art Taylor (d)
NYC, February 27, March 7, 1957
|
| Love for Sale
|
|
| Geraldine
|
|
| Zing! Went the Strings of My Heart
|
|
| Minority
|
|
| Straight Ahead
|
|
| Wake Up!
|
** reissue of Riv. RLP 12 229.
Kenny Drew (p) Wilbur Ware (b -1/7) Philly Joe Jones (d -1/7)
NYC, October 15, 1957
| 1.
| Do It the Hard Way
|
| 2.
| Bewitched, Bothered and Bewildered
|
| 3.
| I Didn't Know What Time It Was
|
| 4.
| Happy Hunting Horn
|
| 5.
| I Cold Write a Book
|
| 6.
| What Is a Man
|
| 7.
| The Lady Is a Tramp
|
| 8.
| My Funny Valentine
|
** reissue of Riv. RLP 12 249.
stereo sounds
unknown location, date
same session
same session
Chet Baker (tp) Johnny Griffin (ts -1/3) Al Haig (p) Paul Chambers
(b) Philly Joe Jones (d)
NYC, September, 1958
| 1.
| Fair Weather
|
| 2.
| Hotel 49
|
| 3.
| Blue Thoughts
|
| 4.
| Polka Dots and Moonbeams
|
| 5.
| Solar
|
| 6.
| When Lights Are Low
|
** reissue of Riv. RLP 12 281.
Chet Baker (tp, vo) Kenny Drew (p) Sam Jones (b) Philly Joe Jones
(d)
NYC, August, 1958
|
| The More I See You
|
|
| Old Devil Moon
|
Dannie Richmond (d) replaces Philly Joe Jones
same location, date
|
| You're Driving Me Crazy
|
|
| How Long Has This Been Going on?
|
|
| It Could Happen to You
|
Chet Baker (tp, vo) Kenny Drew (p) George Morrow (b) Philly Joe Jones
(d)
same location, date
|
| Dancing on the Ceiling
|
|
| I'm Old Fashioned
|
|
| Do It the Hard Way
|
|
| Everything Happens to Me
|
|
| My Heart Stood Still
|
** reissue of Riv. RLP 12 278.
Johnny Griffin (ts) Naim Karacand (vln) Ahmed Abdul-Malik (b, oud)
Al Harewood (d) Bilal Abdurrahman (duf) Jack Ghanaim (kannon) Mike
Hemway (darabeka)
NYC, October, 1958
|
| Ya, Annas (Oh, People)
|
|
| Isma'a (Listen)
|
|
| El Harris (Anxious)
|
|
| Farah' Alaiyamna (Joy Up Us)
|
** reissue of Riv. RLP 12 287.
Booker Little (tp -1/6) Ray Draper (tu -1/6) George Coleman (ts -1/6)
Art Davis (b -1/6) Max Roach (d)
NYC, September 4, 1958
| 1.
| You Stepped Out of a Dream
|
| 2.
| Filide
|
| 3.
| It's You or No One
|
| 4.
| Jodie's Cha-Cha
|
| 5.
| Deeds, Not Words
|
| 6.
| Larry-Larue
|
| 7.
| Conversation
|
** reissue of Riv. RLP 12 280.
Art Farmer (tp) Cannonball Adderley (as) Barry Galbraith (g) Milt
Hinton (b) John Benson Brooks (comp, arr, p)
NYC, July 28 & 31, August 25, 1958
|
| Alabama Concerto 1st Movement: The John Henry Story / Some
Lady's Green / Green Rocky Breasts / Job's Red Wagon
|
|
| Alabama Concerto 2nd Movement: Trampin' / The Loop
|
|
| Alabama Concerto 3rd Movement: John's Shoes / Milord's Callin'
|
|
| Alabama Concerto 4th Movement: Blues for Christmas / Rufus
Playboy / Grandma's Coffin
|
** reissue of Riv. RLP 12 276.
Sonny Rollins (ts) Sonny Clark (p) Percy Heath (b) Roy Haynes (d)
NYC, June 11 & 12, 1957
|
| Just in Time
|
|
| Toot-Toot-Tootsie
|
|
| Mangoes
|
|
| Cutie
|
Sonny Rollins (ts) Sonny Clark (p -1) Paul Chambers (b) Roy Haynes
(d)
NYC, June 19, 1957
| 1.
| What Is There to Say?
|
| 2.
| The Last Time I Saw Paris
|
Kenny Dorham (tp) J.J. Johnson (tb) Benny Golson (ts) Wynton Kelly
(p) Paul Chambers (b) Max Roach (d)
Reeves Sound Studios, NYC, December 23, 1957
|
| Reunion
|
|
| Venetian Blues
|
|
| Out of the Past
|
Pepper Adams (bars) Toots Thielemans (hca, g) Kenny Drew (p) Wilbur
Ware (b) Art Taylor (d)
NYC, December 30, 1957
|
| East of the Sun
|
|
| Fundamental Frequency
|
|
| 18th Century Ballroom
|
|
| Soul Station
|
|
| Struttin' with Some Barbecue
|
|
| Isn't It Romantic
|
omit Adams
NYC, January 7, 1958
|
| Don't Blame Me
|
|
| Imagination
|
** reissue of Riv. RLP 12 257.
Cannonball Adderley (as) Milt Jackson (vib) Wynton Kelly (p) Percy
Heath (b) Art Blakey (d)
NYC, October 28, 1958
|
| Blues Oriental
|
|
| Things Are Getting Better
|
|
| Serves Me Right (alt. take 5)
|
|
| Groovin' High
|
|
| The Sidewalks of New York (alt. take 5)
|
|
| Sounds for Sid
|
|
| Just One of Those Things
|
** reissue of Riv. RLP 12 286.
Bill Evans (p) Sam Jones (b -1/6) Philly Joe Jones (d -1/6)
NYC, December 15, 1958
| 1.
| Minority
|
| 2.
| Night and Day
|
| 3.
| Young and Foolish
|
| 4.
| What Is There to Say?
|
| 5.
| Oleo
|
| 6.
| Tenderly
|
| 7.
| Lucky to Be Me
|
| 8.
| Epilogue / Epilogue
|
| 9.
| Peace Piece
|
** reissue of Riv. RLP 12 291.
Chet Baker (tp) Herbie Mann (fl) Joe Berle or Bill Evans (p) Vinnie
Burke or Paul Chambers (b) Philly Joe Jones (d) Johnny Pace (vo)
NYC, December 23, 1958
|
| All or Nothing at All
|
|
| Crazy She Calls Me
|
|
| It Might as Well Be Spring
|
Ed Thigpen (d) replaces Jones
NYC, December 29, 1958
|
| The Way You Look Tonight
|
|
| When the Sun Comes Out
|
|
| What Is There to Say?
|
|
| Everything I've Got Belongs to You
|
same personnel
NYC, December 30, 1958
|
| This Is Always
|
|
| We Could Make Such Beautiful Music
|
|
| Yesterdays
|
** reissue of Riv. RLP 12 292.
Blue Mitchell (tp) Benny Golson (ts) Wynton Kelly (p) Sam Jones (b
-1/3) Paul Chambers (b -4/6) Art Blakey (d)
Reeves Sound Studios, NYC, January 5, 1959
| 1.
| Blues on My Mind
|
| 2.
| Boomerang
|
| 3.
| Sweet Cakes
|
| 4.
| It Could Happen to You
|
| 5.
| When the Saints Go Marching in
|
| 6.
| Missing You
|
** reissue of Riv. RLP 12 293.
Johnny Griffin (ts -1/5) Thelonious Monk (p) Ahmed Abdul-Malik (b
-1/5) Roy Haynes (d -1/5)
"Five Spot Cafe", NYC, August 7, 1958
| 1.
| Nutty
|
| 2.
| Blues Five Spot
|
| 3.
| Let's Cool One
|
| 4.
| In Walked Bud
|
| 5.
| Misterioso
|
| 6.
| Just a Gigolo
|
** reissue of Riv. RLP 12 279.
Clark Terry (flh) Thelonious Monk (p) Sam Jones (b) Philly Joe Jones
(d)
NYC, May 7 & 12, 1958
Kenny Dorham (tp, vo) Curtis Fuller (tb) Cedar Walton (p) Sam Jones
(b) G.T. Hogan (d)
NYC, August 15, 1958
Chet Baker (tp) Al Haig (p) Paul Chambers (b) Philly Joe Jones (d)
NYC, September, 1958
Nat Adderley (cor) Gene Harris (p) Andrew Simpkins (b) Bill Dowdy
(d)
same location, date
Blue Mitchell (tp) Benny Golson (ts) Cedar Walton (p) Paul Chambers
(b) Art Blakey (d)
Reeves Sound Studios, NYC, January 5, 1959
Chet Baker (tp) Herbie Mann (fl) Pepper Adams (bars) Bill Evans (p)
Kenny Burrell (g) Paul Chambers (b) Philly Joe Jones (d)
NYC, January 19, 1959
** reissue of Riv. RLP 12 294.
Chet Baker (tp) Herbie Mann (fl -1) Pepper Adams (bars -1/4) Bill
Evans (p -1/4) Kenny Burrell (g) Paul Chambers (b) Connie Kay (d)
NYC, December 30, 1958
| 1.
| Alone Together
|
| 2.
| If You Could See Me Now
|
| 3.
| You'd Be So Nice to Come Home to
|
| 4.
| How High the Moon
|
| 5.
| September Song
|
Chet Baker (tp) Herbie Mann (fl -1,2) Pepper Adams (bars -1,2) Bill
Evans (p) Kenny Burrell (g -1,2) Paul Chambers (b) Philly Joe Jones
(d)
NYC, January 19, 1959
| 1.
| 'Tis Autumn
|
| 2.
| You and the Night and the Music
|
| 3.
| Time on My Hands
|
** reissue of Riv. RLP 12 299.
Evans Bradshaw (p) Al Jackson (b) Richard Allen (d)
NYC, January 27, 1959
|
| It's All Right with Me
|
|
| It Ain't Necessarily So
|
|
| A Night in Tunisia
|
|
| The Trolley Song
|
|
| Mangoes
|
|
| Take
the "A" Train
|
|
| A Foggy Day
|
|
| Blues for Jim
|
|
| Pushing the Blues
|
** reissue of Riv. RLP 12 296.
Clark Terry (tp, flh) Don Butterfield (tu) Jimmy Jones (p) Sam Jones
(b) Art Taylor (d)
NYC, February 24 & 26, 1959
|
| 127
|
|
| Mili-Terry
|
|
| The Swinging Chemise
|
|
| My Heart Belongs to Daddy
|
|
| Blues for Etta
|
|
| Top 'n' Bottom
|
|
| A Sunday Kind of Love
|
|
| Mardi Gras Waltz
|
** reissue of Riv. RLP 12 295.
Donald Byrd (tp) Eddie Bert (tb) Bob Northern (frh) Jay McAllister
(tu) Phil Woods (as) Charlie Rouse (ts) Pepper Adams (bars) Thelonious
Monk (p) Sam Jones (b) Art Taylor (d)
"Town Hall", NYC, February 28, 1959
|
| Thelonious
|
|
| Friday the 13th
|
|
| Monk's Mood
|
|
| Little Rootie Tootie
|
|
| Off Minor
|
|
| Crepuscule with Nellie
|
** reissue of Riv. RLP 12 300.
Kenny Dorham (tp) Dave Amram (frh) Cannonball Adderley (as) Cecil
Payne (bars) Cedar Walton (p) Paul Chambers (b) Philly Joe Jones
(d)
NYC, January 20, 1959
|
| Passion Spring
|
|
| Spring Cannon
|
Jimmy Cobb (d) replaces Jones
NYC, February 18, 1959
|
| Blue Spring
|
|
| It Might as Well Be Spring
|
|
| Spring Is Here
|
|
| Poetic
|
** reissue of Riv. RLP 12 297.
Nat Adderley (cor) Bobby Jaspar (fl) Benny Golson (ts) Wynton Kelly
(p) Paul Chambers (b) Jimmy Cobb (d)
NYC, February 19, 1959
|
| Kelly Blue
|
|
| Keep It Moving (take 4)
|
Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d)
NYC, March 10, 1959
|
| Softly, As in a Morning Sunrise
|
|
| On Green Dolphin Street
|
|
| Willow Weep for Me
|
|
| Old Clothes
|
** reissue of Riv. RLP 12 298.
Nat Adderley (cor) Slide Hampton (tu) Wynton Kelly
(p) Sam Jones (cello) Laymon Jackson (b) Albert "Tootie" Heath
(d)
NYC, March 23, 1959
Nat Adderley
(cor) Slide Hampton (tb -1/5) Laymon Jackson (tu) Wynton Kelly (p)
Sam
Jones (b) Albert "Tootie" Heath (d) NYC,
March 23 & 27, 1959
| 1.
| Little Niles
|
| 2.
| Israel
|
| 3.
| What Next?
|
| 4.
| Moving
|
| 5.
| Accents
|
| 6.
| Blue Brass Groove
|
| 7.
| Sometimes I Feel Like a Motherless Child
|
** reissue of Riv. RLP 12 301.
Lee Morgan (tp) Curtis Fuller (tb) Herbie Mann (fl, picc -2,3) Cannonball
Adderley (as) Benny Golson (ts) Sahib Shihab (bars) Wynton Kelly
(p) Jimmy Garrison (b) Philly Joe Jones (d)
NYC, May 4, 1959
| 1.
| Philly J.J.
|
| 2.
| The Carioca (El Tambores)
|
| 3.
| Land of the Blues Veils
|
Blue Mitchell (tp) Sam Jones (b) replaces Mann, Garrison
NYC, May 11, 1959
|
| Blue Gwynn
|
|
| Stablemates
|
|
| Cherokee
|
Philly Joe Jones (d)
NYC, May 28, 1959
** reissue of Riv. RLP 12 302.
Cannonball Adderley (as) Wynton Kelly (p) Paul Chambers (b) Jimmy
Cobb (d)
NYC, April 12, 1959
|
| Serenata
|
|
| If This Isn't Love
|
|
| I Guess I'll Hang My Tears Out to Dry
|
|
| I've Told Ev'ry Little Star
|
|
| Barefoot Sunday Blues (take 3)
|
Cannonball
Adderley (as) Wynton Kelly (p) Percy Heath (b) Albert "Tootie" Heath
(d) NYC, May 12, 1959
|
| Poor Butterfly
|
|
| I Remember You (take 12)
|
** reissue of Riv. RLP 12 303.
Blue Mitchell (tp -2/6) Julian Priester (tb -2/6)
Johnny Griffin (ts) Wynton Kelly (p -2/6) Sam Jones (b) Albert "Tootie" Heath
(d)
NYC, August 4 & 5, 1959
| 1.
| Lonely One
|
| 2.
| Olive Refractions
|
| 3.
| The Message
|
| 4.
| 63rd Street Theme
|
| 5.
| Playmates
|
| 6.
| Venus and the Moon
|
** reissue of Riv. RLP 12 304.
Thad Jones (cor) Charlie Rouse (ts) Thelonious Monk (p) Sam Jones
(b) Art Taylor (d)
NYC, June 1, 2 & 4, 1959
|
| Played Twice
|
|
| Straight, No Chaser
|
|
| I Mean You
|
|
| Ask Me Now
|
|
| Jackie-ing
|
** reissue of Riv. RLP 12 305.
Phil Bodner, Herbie Mann, Frank Wess (fl) Jerome Richardson (fl -1/3)
Bill Slapin (fl -4,5) Billy Taylor (p) Tom Williams (b) Dave Bailey
(d) Chino Pozo (cga)
NYC, July 20, 1959
| 1.
| The Song Is Ended
|
| 2.
| Back Home
|
| 3.
| One for the Woofer
|
| 4.
| Cool Bongos
|
| 5.
| Blues Shutters
|
Jerome
Richardson, Jerry Sanfino, Bill Slapin (fl) Herbie Mann (fl -1/3)
Seldon Powell
(fl -4) Billy Taylor (p) Tom Williams (b) Albert "Tootie" Heath
(d) Chino Pozo (cga) NYC, July 24, 1959
| 1.
| St. Thomas
|
| 2.
| Oh, Lady Be Good
|
| 3.
| How About You?
|
| 4.
| No Parking
|
** reissue of Riv. RLP 12 306.
Chet Baker (tp) Herbie Mann (fl, ts) Zoot Sims (ts, as) Pepper Adams
(bars) Bill Evans (p) Earl May (b) Clifford Jarvis (d)
NYC, July 21, 1959
|
| Show Me
|
|
| I Talk to the Trees
|
|
| Thank Heaven for Little Girls
|
|
| I Could Have Danced All Night
|
Bob Corwin (p) replaces Evans
NYC, July 22, 1959
|
| The Heather on the Hill
|
|
| I've Grown Accustomed to Her Face
|
|
| On the Street Where You Live
|
|
| Almost Like Being in Love
|
** reissue of Riv. RLP 12 307.
Kenny Dorham (tp) Phil Wright (p) Les Spann (g) Sam Jones (b) Philly
Joe Jones (d) Abbey Lincoln (vo)
NYC, March 25, 1959
|
| Come Sunday
|
|
| Softly, As in a Morning Sunrise
|
|
| Lost in the Stars
|
Spann plays (g, fl); Wynton Kelly (p) replaces Wright
NYC, March 26, 1959
|
| Lonely House
|
|
| Thursday's Child
|
|
| Brother, Where Are You?
|
Tommy Turrentine (tp) Julian Priester (tb) Stanley Turrentine (ts)
Cedar Walton (p) Bob Boswell (b) Max Roach (d) Abbey Lincoln (vo)
NYC, 1959
|
| Afro Blue
|
|
| Let Up
|
|
| Laugh Clown Laugh
|
|
| Long as You're Living
|
** reissue of Riv. RLP 12 308.
Blue Mitchell (tp) Curtis Fuller (tb -4/9) Jimmy Heath (ts -4/9)
Wynton Kelly (p) Sam Jones (b) Philly Joe Jones (d)
NYC, September 28, 1959
| 1.
| Blue Soul
|
| 2.
| The Way You Look Tonight
|
| 3.
| Park Avenue Petite
|
| 4.
| Minor Vamp
|
| 5.
| Nica's Dream
|
| 6.
| The Head
|
| 7.
| Top Shelf
|
| 8.
| Wavely Street
|
| 9.
| Polka Dots and Moonbeams
|
** reissue of Riv. RLP 12 309.
Mel Rhyne (org) Wes Montgomery (g) Paul Parker (d)
Reeves Sound Studios, NYC, October 5, 1959
|
| Whisper Not
|
|
| Satin Doll (take 7)
|
|
| Missile Blues
|
same personnel
Reeves Sound Studios, NYC, October 6, 1959
|
| Jingles
|
|
| Too Late Now
|
|
| 'Round About Midnight
|
|
| Yesterdays
|
|
| The End of a Love Affair
|
|
| Ecorah (mof Ecaroh)
|
** reissue of Riv. RLP 12 310.
Nat Adderley (cor) Cannonball Adderley (as) Bobby Timmons (p) Sam
Jones (b) Louis Hayes (d)
"The Jazz Workshop", San Francisco, CA,
October 18 & 20, 1959
|
| This Here
|
|
| Spontaneous Combustion
|
|
| Hi-Fly
|
|
| You Got It!
|
|
| Bohemia After Dark
|
** reissue of Riv. RLP 12 311.
Thelonious Monk (p)
live in San Francisco, CA, October 20, 1959
|
| Round Lights
|
|
| Pannonica
|
|
| Blue Monk
|
|
| Ruby, My Dear
|
|
| There's Danger in Your Eyes, Cherie (take 2)
|
|
| Everything Happens to Me
|
same personnel
live in San Francisco, CA, October 21, 1959
|
| Reflections
|
|
| Remember
|
|
| Blue Hawk
|
|
| You Took the Words Right Out of My Heart
|
** reissue of Riv. RLP 12 312.
Blue Mitchell (tp) Julian Priester (tb) Bill Barron (ts) Pepper Adams
(bars) Dolo Coker (p) Jimmy Garrison (b) Philly Joe Jones (d)
NYC, November 17, 1959
|
| Butterfly Blues
|
|
| I'll Never Be the Same
|
|
| Julia
|
|
| Joe's Delight
|
|
| Joe's Debut
|
Blue Mitchell (tp -1/3) Julian Priester (tb -1/3) Bill Barron (ts
-1/3) Sonny Clark (p -1/3) Jimmy Garrison (b) Philly Joe Jones (d
-1/3, p -4)
NYC, November 18, 1959
| 1.
| Minor Mode
|
| 2.
| Interpretation
|
| 3.
| Gone
|
| 4.
| Gwen
|
** reissue of Riv. RLP 12 313.
Nat Adderley (cor -1/5) Curtis Fuller (tb -1/5) Jimmy
Heath (ts) Wynton Kelly (p) Paul Chambers (b) Albert "Tootie" Heath
(d)
NYC, November 27, 1959
| 1.
| Who Needs It?
|
| 2.
| For All We Know
|
| 3.
| Newkeep
|
| 4.
| Nice People
|
| 5.
| For Minors Only
|
| 6.
| I Can Make You Love Me
|
| 7.
| Don't You Know I Care
|
same personnel
NYC, November 30, 1959
** reissue of Riv. RLP 12 314.
Bill Evans (p) Scott LaFaro (b) Paul Motian (d)
NYC, December 28, 1959
|
| Come Rain or Come Shine
|
|
| Autumn Leaves (stereo take)
|
|
| Witchcraft
|
|
| When I Fall in Love
|
|
| Peri's Scope
|
|
| What Is This Thing Called Love?
|
|
| | |